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      Artist

Jeremy Deller 

Joy in People 

Battle of Orgreave

V and A

Adrian Street

Venice Bienalle

 

 

 

Pop culture linked to  mass spectacle and uses the  theatrical artfiice of classical comedy and drama

 

 

Makes unexpected connections between various areas of culture and history

Creates social interraction between groups of people who would not ordinarily meet

 

People are at the centre of his projects

 

Collaboration with others to make cross disciplinary work and stages converstations

 

Embraces authenticity and simulation

 

Asserts that  history is impure and mediated p17

 

Many works are aimed at wider audience than

gallery and a fusion popular and high art with

a lo-fi aesthetic makes them accessible without 

the need for a  prior knowldege of the context

 

 

Curatorial approach to art 

 

Collects ephemera to inspire (Roxy Music,

David Bowie)

 

The work  can be appreciated without having specialist

knowledge


Ethnographer and a stager of events 

 

Reframes  cultural hierarchies and histories

 

Folk art - looking backwards at cultural traditions 

 

Foregrounds and celebrates the everyday lives of

ordinary people, with an interest in and giving a

value  to   those who might be  considered  not

worth listening to 

Creates Living memory events, Social parades and

processions in the form of pageants 

 

Calls on experts/professionals in their field to help

to create the work  eg. 40 reenactment sociietes and

experts involved with  historical reconstruction helped

to choreograph The Battle of Orgreave 

 

Marched along boulevards to celebrate eclectic interest so population

Focused on Contradictory character of urban puplulations

Non-repentant smokers, goths

What holds society together is tolerance of desires and values that differ from own

Focused on talents of others

 

Any descent parade has strange things in it deller p18 ‘social surrealism’

Tradition of carnicval to invert social conventions

 

In 'Orgreave' he used ex miners and police plus re-enanactors who were not necessarily sympathetic to the cause

 

Brought different sides of struggle into frame

Restaging of an event

 

 

 

Veterans day parade processions here comes everybody

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The absurd

 

Makes a connection with vernacular culture and a particular type of Englishness


Focuses on pop music's social character and the enthusiasm of fans 

Repeated use of and homage to pop music and the culture surrounding it 'The British colonized ourselves through music' Deller

 

Illustrates allegiance to a group and partisanism

 

 

 

Highlights a tension between the private and the public, conflating emblems of class, secular and sacred

 

 

Reflects on British culture and social class

 

 

 

Draws attention to Social rituals 

 

 

Champions the aesthetics of amateurs and hobbyists 

 

A mocking  of institutions

 

Conflating public art institutions and passionate subjectivity of fans eg Morrissey exhibition, Uses of Literacy  

 

 

Championed  the aesthetics of amateurs such as 

Folk artists,  fans re-ennactors, hobbyists 

Shows up the incompatible emotions of private and  public desires

 

Has an enthusiasm with the way people instill life with a meaning

 

 

Paid homage to rock n roll

 

Vernacular transmission of folk culture

 

Music  related observing and collecting examples of fans artifacts

 

 

Reinstall pop music from its usual location

 

Processions

Celebration of public space

 

Looks at the relationship between the performer  and audience

 

 

 

 

 

 

 

 

Manchester Parade

So Many Ways To Hurt You

(The Life And Times Of Adrian Street)(2010)

Joy In People Exhibition(2012)

 

The Battle Of Orgreave (2001)

Methodology 

Themes

 

Having a long standing interest in Glam Rock, Deller has made a poster image of a photograph of a battered Roxy Music poster he found in a junk shop, playing on notions of appropriation and what constitutes an original art object.

 

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